Parma, Italy - The city of delights.
The
name conjures up many different things for different people, all
pleasurable. For the artist, it brings to mind Corregio
and Parmigianino, the musician recalls Giuseppe
Verdi and Toscanini, the archaeologist
thinks of rich castles, cathedrals and fortresses, for the fashion-conscious
it spells style and elegance, and for the gourmand, it means cheese
and ham.
Parma’s
history goes as far back as Etruscan times, and it probably began
its existence as an Etruscan encampment. The word Parma has Etruscan
origins, and the name could have been a reference to either the
shape of the encampment or its function for the word was later imported
by the Romans to mean a circular shield.
It owes its Roman phase to Consul Marcus Emilius Lepidus,
who established it as a Roman colony on the Via Emilia in 183 BC.
Parma gained in importance and wealth through the Middle Ages,
coming under the rule of the Viscontis, the Sforzas, the French
and the Popes till it was made a duchy in 1545 and came under the
jurisdiction of Pier Luigi Farnese, illegitimate son of Pope Paul
III. The Farnese family kept control of Parma till the last scion
of the dynasty died in 1731.
The Burbons then had control over it till it was given to Marie
Louise, daughter of Emperor Francis I of Austria and second
wife of Napoleon. After her death in 1873, it went back to the Burbons
till, by a plebiscite the people elected to join the kingdom of
Italy.
All its rulers have left their marks on this multi-faceted city
with many claims to fame.
Today, Parma offers a veritable feast – in terms of art,
architecture, culture, haute couture, gastronomy and Parma has been
voted the "City with the highest standard of living".
Easily accessible from Milano and Bologna, both of which are serviced
by airports, Parma is the provincial capital.
Inhabited by about 200,000 people, it is a jewel adorning the fertile
Po valley. It is surrounded by verdant green hills, themselves dotted
with castles, and the river Parma runs across the city.
Bars,
boutiques, shopping centers, restaurants and hotels of every hue
cater to the growing number of tourists who put this city on their
itinerary.
The Piazza Garibaldi lies at the heart of Parma,
and the city ripples out from this central point. A statue of Garibaldi,
the Governor’s Palace and the Town Hall, both dating back
to 1673, are located in this square.
The
Dumo, or cathedral, a bell tower and the baptistery nestle close
to each other, each a superb example of the architecture of its
kind. The 11th century cathedral, dedicated to St. Mary of the Assumption,
has a dome painted by Corregio, and three rows of loggias. Valuable
frescos and the famous ‘Deposition’ by Antelami
are among its notable artistic merits.
The
Battistero or Baptistry, made of pink marble, is an octagonal building
and a fine example of Romanesque architecture. Sculptures and reliefs
by Antelami and a ribbed dome depicting the months and seasons of
the year as well as the signs of the Zodiac are part of its attraction.
The
church of San Giovanni Evangelista, a notable piece
of Renaissance architecture, and the Stoica Speziera di
San Giovanni Evangelista, a pharmacy founded in 1201, are
well worth a visit. The pharmacy was working till 1766, after which
it was restored and reopened in 1959. It is fascinating to see the
ceramic jars and huge mortars, dating back to the 17th and even
to the 15th centuries, stocked here. Apart from the tools of the
pharmaceutical trade, the building also has beautiful frescoes and
antique furniture.
The
Galleria Nazionale, or the National Museum, one
of Italy’s most important museums, is located in the Palazzo
della Pilotta. It contains works by Correggio, Parmigianino,
Beato Angelico, Leonardo da Vinci, Van Dyck, Tiepolo, Canaletto
and others.
The Palazzo della Pilotta also houses the Palatina Library
and the National Archaeological Museum.
One of Italy’s major opera houses, the Teatro Regio,
or Royal Theatre, is also to be found here. The original playhouse
was destroyed in World War II, but it was rebuilt according to the
same plan in the 1950s, and is today numbered among the most beautiful
buildings of this kind in the world.
The Bodoni Museum, on the top floor of the Palazzo,
is home to the work of Giambattista Bodonoi, who
took over the management of the royal printing house in Parma in
1768 and turned it into a center of international repute. The museum
has a fine collection of the original blocks, dies and other tools,
manuscripts and master-copies. Its most valuable exhibit is probably
a Greek version of the Book of Illiad, dating back to the year 1808.
The
Chinese and Ethnological Museum, the brainchild of Guido
Maria Conforti, Bishop of Parma, is another highpoint of
this city. It houses ancient examples of the culture of various
lands, which the bishop insisted that missionaries brought back
with them in order to expose the people of Italy to different aesthetic
traditions. Thus, bits of China, Pakistan, South America and Africa
can be found in this little corner of Italy.
The Duke’s Park and Palace
are two other places of interest in Parma. The park is an elaborate
arrangement of greenery, first laid out in 1560 and enlarged upon
later. The Palace itself is a fine example of Renaissance architecture,
the work of Giorgio Erba. Its attractions include
some beautiful frescoes by Agostino Carracci, Bertoja, Tiarini,
Malorosso and Cignani. It now houses the carabinieri or police headquarters.
The Citadella or fort, planned by Pier Luigi Farnese
in 1546, shaped like a pentagon, has five ramparts. Today, lawns
take the place of the erstwhile moat, and a beautiful park inside
its walls offers sports facilities.
Satiating culture aside, Parma is also known as the food
capital of Italy, having given to the world two sublime
items of cuisine – Parmesan Cheese and Prosciutto
Ham.
Made from the milk of cows fed on the green grass of the Po valley,
Parmigiano-Reggiano is produced today just as it
was seven centuries ago. Milk from two different milkings goes into
the production -- the evening milk is skimmed after it rests overnight
and mixed with the following morning's new milk. The mixture is
poured into a funnel-shaped boiler made of copper and heated gently
over an open fire. Rennet is added, the mixture is whipped, then,
when the curd separates, it is molded, pressed and drained, after
which it is soaked in brine for about a month, drained again and
then aged till it acquires its distinctive flavor and grainy texture.
The whole exercise takes about two years, and some 500 litres of
milk go into the production of one Parmigiano-Reggiano. Used both
as table cheese and for pasta, it costs about $20 dollars per kilo.
The whey that separates from the curd during the cheese-making
process is fed to the pigs of Parma, and probably contributes to
the special flavour of Porsciutto di Parma or Parma
ham, along with the climate of the region. The production of Parma
ham is also strictly regulated, and starts with breeding and feeding,
going on to salt rugs and rinsing and culminating in long hanging
and curing in progressively warmer rooms. The process takes between
10 months and a year, at the end of which, only if all the criteria
are satisfied is the five-point ducal crown stamped on the silky,
pale pink hams with their distinctive flavour, to distinguish them
from other, lesser varieties.
Once every two years, Parma hosts Italy’s most important
food industry trade fair, CIBUS, and visitors throng
the city for a week to experience untold pleasures of the palate.
The presence of companies like Barilla, which
exports spaghetti, pasta, biscuits and bread to countries across
the globe, and Parmalat, specialists in milk and dairy products,
contribute to Parma’s reputation as the food capital of Italy.
To round off the sensory delights that Parma offers, there is the
Violetta di Parma, the perfume that owes its existence
to Maria Lugia, duchess of Parma. Napoleon’s wife loved this
flower and used the colour as a signature tint – even the
livery of her pages were of this shade. She encouraged the Benedictine
monks at the Monastery of Annunciata to distil the essence of the
flower, and at last, their long and patient efforts bore fruit.
The first bottles of this perfume were produced exclusively for
the use of Maria Lugia, and the technique was for long a closely-guarded
secret. But it was eventually given out in 1870, and the scent of
violets spread beyond the boundaries of Parma.
Step out of Parma feeling replete – in every sense of the
term.
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